grim and gritty. BUT and this is a big but, Finch is not, and should never be let to write another comic book story EVER! There are numerous plot holes, and just the build to finding out it was Clayface in the end of the third issue was a let down in my mind. And even the artwork was not something I really liked. For some reason it seemed to fall flat.
And in the New 52 there are a lot of things to like, but the fuck load of Batman titles is not one of them. I mean, c'mon build the foundation before you start putting up the windows and plumbing. Seriously. This really felt like it started in the middle of some story. And it was a story, I didn't get hyped about while reading, and am going to have taken off my pull list. I always say you can't really judge the comic without reading at least the first arc. Well I did, and it let me down big time. The only bigger let down, but was totally expected was Jim Lee not cutting it either. I think he should seriously be relegated to covers, and pinups and be contractually obligated to finishing a project before he gets paid. From what my dealer told me, that's pretty much what Finch was made to do, cause he had been fucking up big time while he wrote and drew his projects. They "saddled" him with the co-writer, which he honestly needs. There are a ton of artists who think they can write, and they just don't have the ability to make the characters relatable or even likable. I mean there's nothing wrong with that, unless you try and sell yourself as a writer, and you're not. That works if you're Bill O'Reilly or Newt Gingrich and you have a million zealot followers who are as stupid as you are. But not in comics folks. And it's fair for someone to say, "what have you ever done?" Well, that makes sense. I write and draw Youth in Asia, and I drew, or directed the screen play written by Venus of Necro of Fuzzyface. But back to the review, it just didn't sit well with me. It felt a lot like an early Image comic, all flash and absolutely nothing really to be in love with. If you remember the early Image stuff, it had this great artwork (for the time) and some really lackluster writing. There were a few exceptions to that.
The artwork peaked at times, but the huge hulking Two-Face who wanted to be called One Face should have been a giveaway, although it didn't. Plus the 'roided out Joker was a bit much. Joker and Two Face have always been psychological characters and not physical threats. And then you ad the White Rabbit to the mix, which reeks of The Mad Hatter, but will probably be what the wrestling industry calls a swerve. Then there was the truly unspectacular detective work of the Batman. He wasn't cerebral at the least, but seemed to be fine just bashing the shit out of whoever was in front of him. And maybe that's just me, but this seriously felt like nothing I would ever want to see in a Batman movie. Especially if Christian Bale is growling the dialog from this piece. And I shall leave it at that. Without ripping it's asshole completely open. The benefit to that is no straining when you have to poop.
Some of you may be reading this for the first time, so here goes. I grade my reviews based on moments in wrestling history. The more hardcore the moment, the more I liked it. The more old school refs to Hulk Hogan or Sid Vicious (pre 90's) probably means this is a joke and should not be taken seriously only if you also like Twilight and stupid shit like that. And the grade this gets is seriously fitting, but helped spawn a new promotion after he helped doom WCW. Batman: The Dark Knight gets, Jeff Jarrett breaking one thousand balsa wood guitars on the heads of one thousand other wrestlers, and it never raised the eyebrow of a fan. It was never extreme. It never got Jarrett the millions he felt he deserved or the respect of the fans. And god, I hope, never got him respect of the fans either. Take that Slap Nuts!
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