It's tough to write a conclusive comic book story arc in six issues. So I can't imagine how difficult it must be to capture the life of a comedic legend, who's career spanned decades in just 24 pages, let alone FIVE. But that's what this book and it's creative team managed to do. And I know what you're thinking, "it says Three Stooges, not five." And you are so right, and wrong at the same time. Today the Hardcore Review is tackling three (five) lummoxes that were a comedy dynamo, Bluewater's Comics: The Three Stooges, which is the third issue of the Comics biographical series written by Jaymes Reed and drawn by issue one's Apriyadi Kusbiantoro. And recently, I have become a fan of the art of the documentary.
Reed again somehow does what might seem the impossible, to make people care about our history. And in a day and time when it's so fucking relevant to know about our past, we as a species, called Americans, seem to fall ever short. When we have a former comic book god like Frank Miller, bashing the Occupy Wallstreet movement, and even the Republican party silently gagging everytime Mitt Romney hits their tax payer funded flat screen televisions, we need to remember what it was to laugh. And I remember, like all of you, busting my sister on the head with a ferris wheel fist, or torquing someone's nose with a pair of pliers, that there was a comedy troupe that preceeded Kids in the Hall and Saturday Night Live. History my friends. And I am happy to report that I learned something. I know, learned something from comics. The fuck did I learn from comics other than Miller's illustrious word smitherie of, "I'm the goddamn Batman?" But I did. I found out a few things actually. First is Curly was NOT an original Three Stooge. That was Shemp. And another fancy tidbit, Shemp, Curly and Moe were brothers.
There was like only 2 word balloons in the entire book. Which, much like issue one about George Carlin was really not all that funny. The Stooges were born at the turn of the twentieth century. And it wasn't until after the Great Depression where they made their mark on not just the comedy world, but the entertainment world at large. And before when I said there were actually five Three Stooges, there were factually six, although Joe Besser, who was only known on screen as "Joe" was a very short lived career as a Stooge.
You know, the only complaint I think I even have about this book would be, I think I might have liked it even better in black and white. But that's only cause that's how I remember the Three Stooges. Well that and a better grad on my Reid Park Zoo project in design school. I did a Three Stooges parody piece that paraded the "Three Simians," with three different types of apes, with the classic Moe, Larry and Curly haircuts. Complete with the old school Three Stooges font and everything. But that's got nothing to do with Reed and Kusbiantoro's fine work here.
As some of you may know, and I'm seriously getting kinda fucking tired of reminding you, I don't review like some fat schlub from Chicago, or some pansy assed douchebag from some gossip rag piece of shit that spawned John Tesh. I don't even used a letter system, you know, like most of you got in remedial English. According to a friend, I am using "the lowest common denominator," but then again, according to me, I hate KISS and all they stand for. So here I go with my grade. The moment was something, nobody was ready for, and got somebody in a lot of trouble with his boss. In 1994, Mick Foley as Cactus Jack wrestled for WCW. When they established a shortlived relationship with the upstart ECW, Cactus wrestled Sabu in a dream match. Cactus lost, but not without delivering one of the most violent sounding chair shots I've ever heard, with a plastic fucking chair. And then afterward, Cactus delivered one of his most poignant promos ever, when he spit on the WCW World Tag Team title belt. This pissed off his boss, WOOOOOO, the man who would later call Foley nothing more than "a glorified stuntman," Ric Flair.
Showing posts with label cactus jack. Show all posts
Showing posts with label cactus jack. Show all posts
Monday, November 14, 2011
Wednesday, October 19, 2011
X-Men First Class; A Hardcore Review
"Go fuck yourselves!" The single greatest line Wolverine has ever uttered... EVER! But why Wolverine can say "fuck" and Mystique has no visible nipples confounds me. But back to the point. Wait, what was the fucking point? Oh, right, First Class, with characters who didn't show up until like a few years ago. Great continuity job there guys. Look I hate the concept of reboots. But I hate the concept of shitty reboots even more. And when there is only ONE original X-Man in the FIRST CLASS, there's gonna be a problem. But down deep, this was a good movie. A really good movie. I wanted to hate it. And believe me, I got my moments, which I will fully blast later, but this was a solid flick. I loved that they used footage from the first X-Men movie when Magneto's powers first manifested. And I loved how Shaw used Magneto as a test case, and brought the source of his powers out. It was AWESOME! Plus, Kevin Bacon's German, and Russian were great. Not that I speak either language. I mean, let's be honest, I can barely handle English or American, but whatever you wanna call it.
Magneto's journey of vengeance was flat out, very well done. And done with such fervor and rage, it was fucking believable. That's what I liked about it. But to balance out Magneto's anger, was Charles Xavier's serenity. Somehow, knowing all these people hate him and want him dead, even after all his team did, he still wanted to make the world better by just blending in. Magneto did, at the end, bring out the Malcolm X to Xavier's Martin Luther King Jr. It made sense. And fusing it with actual history, including the Cold War and the Cuban Missile Crisis was super well done. I have been super impressed with this and one other film that melded with American history and used it so well, by integrating it with the story. Surprisingly well done. I dug the cast of characters, for the most part. And of course like any sci-fi movie, the black guy died first. At least it wasn't on accident so the two estranged white people got to live, but the whole team. And he made that choice to try and help defeat Shaw and his ripoff Nightcrawler. But what the fuck was a go-go dancing stripper named who had DRAGONFLY tattoos on her back called Angel for? And how many women, in 1962, even a stripper, had huge fucking wings tattooed on there backs? One of the worst keeping with the 60's motif in the movie. That and the fact that the white and black mutants got along. C'mon, there wasn't any tension between them. But there was issues with Hank McCoy who had weird feet? What the fuck? Oh, and then when he transforms he becomes unable to make his mouth move in accordance with his speech. And he didn't get any bigger body wise, but his head grew EIGHT sizes that day. And while I am on the subject of Beast, if he did become more animalistic in nature, than wouldn't he lose the need for glasses? He would have predator eyes.
But back to the good. The search for the mutants. Man, the fucking cameo of Wolverine was CLASSIC!
Xavier: "Hi, I'm Charles Xavier and this is-"
Wolverine: "Go fuck yourselves!"
Xavier: "Alrighty then..... Eric, I think I just wet me britches a smidge."
Why was a 16 year old in solitary confinement and he wasn't all scary or crazy. I mean he was antisocial, but not hardcore about it. You know, I never liked White Queen all that much, but GODDAMN January Jones has got a set of titties on her. And she's like what a buck five, with tits that make her a buck fifteen. The diamond effect was cool. And even though he was a Nightcrawler knock off, Azazel had his moments. He was cool looking, but I dunno, I just love Crawler so much, that I couldn't like him at all. Although the way he used his power was pretty badass. But the pretty much unlimited teleportation range was a fucking bit much. And what was the point of Angel? Dude, there was like the most useless character. But she lives, cause she's hot and I guess only half black or Asian. And the full on negro bites the dust, by getting exploded from the inside. And by the guy who used to be the Nazi official.... do tell.
This movie was cool for the most part in my mind because of the mutant searching, the training and Magneto's search for revenge. Those are elements that made for a great new beginning. And Xavier and Mystique's relationship was really cool. Knowing that even in the end when he told her to go with Magneto, he wasn't reading her mind. Oh, and how come Xavier has to touch his temple to activate his powers? And why does Magneto need to motion towards the object he is manipulating? I understand it when he's still learning to use his power. But Emma Frost didn't have to do that. Shaw sorta did, but he was absorbing and expelling energy.
The breakdown of the first big battle and the training sequences alone made this flick for me. Sure there were parts that sucked, but with most comic book movies is to hope that they get the spirit of the characters correctly and the story makes sense and is epic in a way. Solid story, really good cast. Using a lot of unknown and lesser used actors, solid effects and mostly great characters.... X-Men First Class was a great reboot. And I never thought I would hear myself say that. Then again I never thought I would cheer a Wolverine one liner either.
If you're just tuning in, the Hardcore Review doesn't use thumbs, letters, numbers or even a hefty, nifty little shiny one liner for the movie poster or dvd slip case. I use hardcore moments in wrestling history as a basis for my grades. If the review is favorable, expect, foul language, sex, blood and more. If it sucks, expect Hulk Hogan. The moment I harken back to is from 1997. Triple H, who was then Hunter Hearst Helmsley was embroiled in a battle with Mankind. But the feud grew to the point that Mankind enlisted the friend of his old alter ego, Cactus Jack. Triple H and Cactus battled in a hardcore match with weapons and total violence, just when the then World Wrestling Federation began to enter the "Attitude Era." It was Monday Night Raw and the final moment of the match resulted in Cactus Jack doing something that very well may never have been done in the WWF until that point.... he piledrived Triple H through a table on the Titantron entrance ramp. The table wasn't the regular folding table used now, this was a rough, raw wood table that was probably from the 80's. I'm surprised Triple H survived to become the 10 time champion, and man who three years later "retire" Mick Foley as Cactus Jack.
Magneto's journey of vengeance was flat out, very well done. And done with such fervor and rage, it was fucking believable. That's what I liked about it. But to balance out Magneto's anger, was Charles Xavier's serenity. Somehow, knowing all these people hate him and want him dead, even after all his team did, he still wanted to make the world better by just blending in. Magneto did, at the end, bring out the Malcolm X to Xavier's Martin Luther King Jr. It made sense. And fusing it with actual history, including the Cold War and the Cuban Missile Crisis was super well done. I have been super impressed with this and one other film that melded with American history and used it so well, by integrating it with the story. Surprisingly well done. I dug the cast of characters, for the most part. And of course like any sci-fi movie, the black guy died first. At least it wasn't on accident so the two estranged white people got to live, but the whole team. And he made that choice to try and help defeat Shaw and his ripoff Nightcrawler. But what the fuck was a go-go dancing stripper named who had DRAGONFLY tattoos on her back called Angel for? And how many women, in 1962, even a stripper, had huge fucking wings tattooed on there backs? One of the worst keeping with the 60's motif in the movie. That and the fact that the white and black mutants got along. C'mon, there wasn't any tension between them. But there was issues with Hank McCoy who had weird feet? What the fuck? Oh, and then when he transforms he becomes unable to make his mouth move in accordance with his speech. And he didn't get any bigger body wise, but his head grew EIGHT sizes that day. And while I am on the subject of Beast, if he did become more animalistic in nature, than wouldn't he lose the need for glasses? He would have predator eyes.
But back to the good. The search for the mutants. Man, the fucking cameo of Wolverine was CLASSIC!
Xavier: "Hi, I'm Charles Xavier and this is-"
Wolverine: "Go fuck yourselves!"
Xavier: "Alrighty then..... Eric, I think I just wet me britches a smidge."
Why was a 16 year old in solitary confinement and he wasn't all scary or crazy. I mean he was antisocial, but not hardcore about it. You know, I never liked White Queen all that much, but GODDAMN January Jones has got a set of titties on her. And she's like what a buck five, with tits that make her a buck fifteen. The diamond effect was cool. And even though he was a Nightcrawler knock off, Azazel had his moments. He was cool looking, but I dunno, I just love Crawler so much, that I couldn't like him at all. Although the way he used his power was pretty badass. But the pretty much unlimited teleportation range was a fucking bit much. And what was the point of Angel? Dude, there was like the most useless character. But she lives, cause she's hot and I guess only half black or Asian. And the full on negro bites the dust, by getting exploded from the inside. And by the guy who used to be the Nazi official.... do tell.
This movie was cool for the most part in my mind because of the mutant searching, the training and Magneto's search for revenge. Those are elements that made for a great new beginning. And Xavier and Mystique's relationship was really cool. Knowing that even in the end when he told her to go with Magneto, he wasn't reading her mind. Oh, and how come Xavier has to touch his temple to activate his powers? And why does Magneto need to motion towards the object he is manipulating? I understand it when he's still learning to use his power. But Emma Frost didn't have to do that. Shaw sorta did, but he was absorbing and expelling energy.
The breakdown of the first big battle and the training sequences alone made this flick for me. Sure there were parts that sucked, but with most comic book movies is to hope that they get the spirit of the characters correctly and the story makes sense and is epic in a way. Solid story, really good cast. Using a lot of unknown and lesser used actors, solid effects and mostly great characters.... X-Men First Class was a great reboot. And I never thought I would hear myself say that. Then again I never thought I would cheer a Wolverine one liner either.
If you're just tuning in, the Hardcore Review doesn't use thumbs, letters, numbers or even a hefty, nifty little shiny one liner for the movie poster or dvd slip case. I use hardcore moments in wrestling history as a basis for my grades. If the review is favorable, expect, foul language, sex, blood and more. If it sucks, expect Hulk Hogan. The moment I harken back to is from 1997. Triple H, who was then Hunter Hearst Helmsley was embroiled in a battle with Mankind. But the feud grew to the point that Mankind enlisted the friend of his old alter ego, Cactus Jack. Triple H and Cactus battled in a hardcore match with weapons and total violence, just when the then World Wrestling Federation began to enter the "Attitude Era." It was Monday Night Raw and the final moment of the match resulted in Cactus Jack doing something that very well may never have been done in the WWF until that point.... he piledrived Triple H through a table on the Titantron entrance ramp. The table wasn't the regular folding table used now, this was a rough, raw wood table that was probably from the 80's. I'm surprised Triple H survived to become the 10 time champion, and man who three years later "retire" Mick Foley as Cactus Jack.
Saturday, April 30, 2011
Batman Mad Love & Other Stories; A Hardcore Review *SPOILERS*
FINALLY Harley Quinn and her origin have come to the Hardcore Review. The ultimate story about Harley Quinn is such a treat to read and this is actually the second copy I have gotten of it. The first being a second print of the prestige format edition from the mid nineties. I traded a bunch of Lady Death comics to my friend, Dave, who is now my tattoo artist.
The story is drawn in the amazing style of the Batman the Animated Series by Bruce Timm and written by the enigmatic Paul Dini, both producers of the show that raised me on comics. BTAS is probably my favorite all time cartoon of ALL TIME. And to have a hardcover account of Harley's origin is pretty fucking spiffy in my book. I actually got to meet Bruce Timm at my first ever convention, Wizard World LA 2005. He drew me a Batman head and I got to tell him how much the show meant to me. The guy in line before me had the first volume of BTAS and had Timm sign every disc in the set. It was kind of funny, cause even then (my first con) I didn't really linger around the Big 2's booths. And now at SDCC I try to avoid them if I can.
The story goes like this, Harley Quinn wasn't always the Joker's sidekick. At one point she was a standout athlete in gymnastics who got a full ride to Gotham University. She excelled in her courses, but not due to hard work. She romanced her professors into making her a straight A student and a seeming prodigy in Psychology. Wanting to cash in and write tell all books about her case work, after graduation, Quinn, then Harley Quinzel, became a head shrink at Gotham City's most notorious facility, Arkham Asylum. Here she met the prize and prince of crime, Clown Prince that is, in the Joker. Falling victim to the Joker's charm and hard luck story, Doctor Quinzel let her guard down and Joker knew he had her. From that point on, there was nothing Harley wouldn't do for her Mr. J.
Bouncing back to present time, Harley is busy planning for the future, while Joker is determined to put the Batman on ice. After failing at her attempts to seduce the Joker, and being tossed out of a fifth story window, Harley decides enough is enough. But not in the way you might think. Harley has a plan to get rid of the obstacle between her an Mr. J once and for all.
Enter the "Death of a Hundred Smiles." What an awesome possible scenario. And the fact that this story, proved that Quinn wasn't just a cheap female Joker knock off. Harley had a mind and a demeanor that allowed her to be just as psychotic as the Joker, even more so, since her motives were purely based upon her "love" for her Puddin'. Harley wasn't just a flaky female foil for Batman. Sure she still has her moments of ditziness, but she is also in control of her destiny. And being that she was formed in an abusive relationship, and being that I have seen what abuse can do to the victim and their family and friends makes this story that much more important to me. Sure, fists can hurt someone. Usually those bruises and broken bones heal, but the psychological ramifications and scars run deep, and sometimes never allow the victim to heal.
This story, being so important to me and relevant to comic book history I have to give it a grade worthy of an equally important moment in wrestling history. A moment, that I believe was not recorded for posterity. It was the early 1990's and it was in Germany, a country known for tyranny and a butcherous nature. The match was Cactus Jack and Vader. Vader whipped Jack into the ropes, and Mick (Jack) took the move like a pro. He ended up in what was called a "hangman," where the wrestler gets his neck intertwined between the top and middle ropes. The move isn't normally dangerous, but in a match preceding this one, Too Cold Scorpio requested that the ring ropes be tightened. The tighter ropes caused Mick's ear to be torn from the side of his head. Being the ring warrior that his is, Foley kept on wrestling, while the ring announcer picked up the dismembered ear and ran it to the back where it was put on ice for a trip to the nearest hospital to have it reattached. And in a promo a few years later, Mick revealed that because he didn't know the German word for formaldehyde he wasn't able to ask for his ear back, as the nurse dropped it into the trash and said, "It's all a big joke."
The story is drawn in the amazing style of the Batman the Animated Series by Bruce Timm and written by the enigmatic Paul Dini, both producers of the show that raised me on comics. BTAS is probably my favorite all time cartoon of ALL TIME. And to have a hardcover account of Harley's origin is pretty fucking spiffy in my book. I actually got to meet Bruce Timm at my first ever convention, Wizard World LA 2005. He drew me a Batman head and I got to tell him how much the show meant to me. The guy in line before me had the first volume of BTAS and had Timm sign every disc in the set. It was kind of funny, cause even then (my first con) I didn't really linger around the Big 2's booths. And now at SDCC I try to avoid them if I can.
The story goes like this, Harley Quinn wasn't always the Joker's sidekick. At one point she was a standout athlete in gymnastics who got a full ride to Gotham University. She excelled in her courses, but not due to hard work. She romanced her professors into making her a straight A student and a seeming prodigy in Psychology. Wanting to cash in and write tell all books about her case work, after graduation, Quinn, then Harley Quinzel, became a head shrink at Gotham City's most notorious facility, Arkham Asylum. Here she met the prize and prince of crime, Clown Prince that is, in the Joker. Falling victim to the Joker's charm and hard luck story, Doctor Quinzel let her guard down and Joker knew he had her. From that point on, there was nothing Harley wouldn't do for her Mr. J.
Bouncing back to present time, Harley is busy planning for the future, while Joker is determined to put the Batman on ice. After failing at her attempts to seduce the Joker, and being tossed out of a fifth story window, Harley decides enough is enough. But not in the way you might think. Harley has a plan to get rid of the obstacle between her an Mr. J once and for all.
Enter the "Death of a Hundred Smiles." What an awesome possible scenario. And the fact that this story, proved that Quinn wasn't just a cheap female Joker knock off. Harley had a mind and a demeanor that allowed her to be just as psychotic as the Joker, even more so, since her motives were purely based upon her "love" for her Puddin'. Harley wasn't just a flaky female foil for Batman. Sure she still has her moments of ditziness, but she is also in control of her destiny. And being that she was formed in an abusive relationship, and being that I have seen what abuse can do to the victim and their family and friends makes this story that much more important to me. Sure, fists can hurt someone. Usually those bruises and broken bones heal, but the psychological ramifications and scars run deep, and sometimes never allow the victim to heal.
This story, being so important to me and relevant to comic book history I have to give it a grade worthy of an equally important moment in wrestling history. A moment, that I believe was not recorded for posterity. It was the early 1990's and it was in Germany, a country known for tyranny and a butcherous nature. The match was Cactus Jack and Vader. Vader whipped Jack into the ropes, and Mick (Jack) took the move like a pro. He ended up in what was called a "hangman," where the wrestler gets his neck intertwined between the top and middle ropes. The move isn't normally dangerous, but in a match preceding this one, Too Cold Scorpio requested that the ring ropes be tightened. The tighter ropes caused Mick's ear to be torn from the side of his head. Being the ring warrior that his is, Foley kept on wrestling, while the ring announcer picked up the dismembered ear and ran it to the back where it was put on ice for a trip to the nearest hospital to have it reattached. And in a promo a few years later, Mick revealed that because he didn't know the German word for formaldehyde he wasn't able to ask for his ear back, as the nurse dropped it into the trash and said, "It's all a big joke."
Saturday, February 5, 2011
The Runaways; A Hardcore Review
Essentially this wasn't so much the story of the all girl rock band, The Runaways, so much as it was the story of Joan Jett and Cherie Curie.
While the look of the film was no doubt "spot on," I couldn't stand this movie. Kristen "Twilight" Stewart had NO FUCKING BUSINESS playing Joan Jett. Just cause she's in fucking vogue right now doesn't mean she was the right person to play Joan. And yeah, she looks a little like Jett in the 70's, but to me that AIN'T fucking good enough. The shitty thing, to me, is that she did a good job portraying the first lady of Punk Rock. Kristen Stewart, whether I like it or not is at the very least a decent actress, if not, a really good actress. This role has broken her out of the mold of being Bella, the wishy washy girl from the Twilight saga. And moving out of your comfort zone as an artist is essential for staying fresh and being the best that you can be.
Dakota Fanning plays Cherie Curie, the lead singer of The Runaways. With their meteoric rise to stardom, Curie becomes a drug addict and alcoholic. Fanning, has become a sparkling actress since her debut in "I Am Sam," playing opposite the very retarded Sean Penn.
Alia Shawkat, Pash from Whip It was in this movie, playing Robin. While Rob Zombie's Halloween Laurie Strode, Scout Taylor-Compton played Lita "Kiss Me Deadly" Ford. But the whole movie was spotlighting Joan Jett and her sometimes androgynous relationship with Cherie Curie.
After their Japanese tour, Curie lost it. Began heavily using, and according to the movie, became a Prima donna. While I am a big Joan Jett fan, I don't claim to know shit about the Runaways. God I so wanted to hate this movie. I really really wanted to. But I couldn't. There's little harder to do in this world than admit you were wrong. Not knowing a lot about the group that made acts like P!NK, Kittie, L7 and Bikini Kill possible should make me a fucking historian. But sometimes the best thing isn't to know all the details, but to just appreciate the music and everything it's done.
This flick was interesting to watch. Gave some much needed background on a truly groundbreaking group. And to my shock and awe had some really tremendous acting from someone I didn't think deserved the part, simply cause I felt she was a "flash in the pan" type star. But I have to say, with all sincerity, that The Runaways was a great flick. And thus brings to mind a truly great moment involving, at the time, two of the top workers in wrestling, Triple H and Mick Foley. After Triple H and Stephanie McMahon got "married" they made Mick Foley's life a living hell, including firing him. Upon an announced locker room wide walkout staged by The Rock, Triple H and Steph were forced to reinstate Foley. The Rock also dictated that there would be a tag team main event featuring Degeneration X versus The Rock, The APA and Mick Foley. The end of the match saw The Rock and Farooq and Bradshaw take out The New Age Outlaws and X Pac. Leaving the champ, Triple H and Mick Foley alone, battling it out for bloody supremacy of the ring. In the end, Hunter delivered a "Pedigree" to Foley, putting him through the announce table. As Triple H walked up the ramp, Mick, who's Mankind mask was ripped off during the fight, was bloodied and staring wild eyed at the retreating champion. The moment came the next night, or "officially" on Thursday night Smackdown, when in the ring celebrating his utter defeat of Foley, Triple H declared victory in their war. But out came Mick, in his Mankind outfit from Monday, bloody shirt included. Mick said, after the beating he took a few days before, he wasn't ready to take on the young champion at that Sunday's Royal Rumble pay per view. As he began taking off his mash and tie, he stated, "I'm in no condition to fight you on Sunday..... (Triple H smiles) but I know someone who is.... and I think you know him real well." Tearing open his shirt, he reveals his famous, "Wanted: DEAD" Cactus Jack t-shirt. BANG BANG!
While the look of the film was no doubt "spot on," I couldn't stand this movie. Kristen "Twilight" Stewart had NO FUCKING BUSINESS playing Joan Jett. Just cause she's in fucking vogue right now doesn't mean she was the right person to play Joan. And yeah, she looks a little like Jett in the 70's, but to me that AIN'T fucking good enough. The shitty thing, to me, is that she did a good job portraying the first lady of Punk Rock. Kristen Stewart, whether I like it or not is at the very least a decent actress, if not, a really good actress. This role has broken her out of the mold of being Bella, the wishy washy girl from the Twilight saga. And moving out of your comfort zone as an artist is essential for staying fresh and being the best that you can be.
Dakota Fanning plays Cherie Curie, the lead singer of The Runaways. With their meteoric rise to stardom, Curie becomes a drug addict and alcoholic. Fanning, has become a sparkling actress since her debut in "I Am Sam," playing opposite the very retarded Sean Penn.
Alia Shawkat, Pash from Whip It was in this movie, playing Robin. While Rob Zombie's Halloween Laurie Strode, Scout Taylor-Compton played Lita "Kiss Me Deadly" Ford. But the whole movie was spotlighting Joan Jett and her sometimes androgynous relationship with Cherie Curie.
After their Japanese tour, Curie lost it. Began heavily using, and according to the movie, became a Prima donna. While I am a big Joan Jett fan, I don't claim to know shit about the Runaways. God I so wanted to hate this movie. I really really wanted to. But I couldn't. There's little harder to do in this world than admit you were wrong. Not knowing a lot about the group that made acts like P!NK, Kittie, L7 and Bikini Kill possible should make me a fucking historian. But sometimes the best thing isn't to know all the details, but to just appreciate the music and everything it's done.
This flick was interesting to watch. Gave some much needed background on a truly groundbreaking group. And to my shock and awe had some really tremendous acting from someone I didn't think deserved the part, simply cause I felt she was a "flash in the pan" type star. But I have to say, with all sincerity, that The Runaways was a great flick. And thus brings to mind a truly great moment involving, at the time, two of the top workers in wrestling, Triple H and Mick Foley. After Triple H and Stephanie McMahon got "married" they made Mick Foley's life a living hell, including firing him. Upon an announced locker room wide walkout staged by The Rock, Triple H and Steph were forced to reinstate Foley. The Rock also dictated that there would be a tag team main event featuring Degeneration X versus The Rock, The APA and Mick Foley. The end of the match saw The Rock and Farooq and Bradshaw take out The New Age Outlaws and X Pac. Leaving the champ, Triple H and Mick Foley alone, battling it out for bloody supremacy of the ring. In the end, Hunter delivered a "Pedigree" to Foley, putting him through the announce table. As Triple H walked up the ramp, Mick, who's Mankind mask was ripped off during the fight, was bloodied and staring wild eyed at the retreating champion. The moment came the next night, or "officially" on Thursday night Smackdown, when in the ring celebrating his utter defeat of Foley, Triple H declared victory in their war. But out came Mick, in his Mankind outfit from Monday, bloody shirt included. Mick said, after the beating he took a few days before, he wasn't ready to take on the young champion at that Sunday's Royal Rumble pay per view. As he began taking off his mash and tie, he stated, "I'm in no condition to fight you on Sunday..... (Triple H smiles) but I know someone who is.... and I think you know him real well." Tearing open his shirt, he reveals his famous, "Wanted: DEAD" Cactus Jack t-shirt. BANG BANG!
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